Inuksuit (2009) for nine to ninety-nine percussion.
75:00 - 90:00
Always Very Soft (2007) for percussion trio.
9:00
…and bells remembered… (2005) for bowed crotales, orchestra bells, chimes, vibraphone and bowed vibraphone.
10:30
Commissioned by the University of Wisconsin –
River Falls
The Mathematics of Resonant Bodies (2002)
for solo percussion and processed sounds.
65:00
Commissioned by the Los Angeles County Museum of Art, WNYC and the Subtropics Festival.
"All noise contains pure tone. And the complex sonorities of percussion instruments conceal choirs of inner voices. In The Mathematics of Resonant Bodies my search is to find and reveal those voices."
-- John Luther Adams
"...a massive new canvas... a 69-minute, eight-movement series of sonic environments..."
-- Richard S. Ginell, Los Angeles Times
Qilyaun
(1998)
for four bass drums or bass drum with digital delay.
15:00
Strange and Sacred
Noise (1991-97)
six pieces for percussion quartet.
75:00
"Percussion here portrays the 'terrifying event'..."
-- Steven Schick
"Strange and Sacred Noise is a masterpiece, not just for percussion music, but for contemporary classical / experimental / avant-garde / whatever-you-want-to-call-it music."
-- Christian Hertzog Sequenza 21
Recorded by Percussion Group Cincinnati
on Mode Records.
